The Indian Analyst
 

Annual Reports

 

 

Contents

Index

Introduction

Contents

PART I.

Tours of the Superintendent 1937-1938

Appendix A

Appendix B

Appendix C

Appendix D

Appendix E

Appendix F

Images

PART II.

Cavern with Brahni inscription at Malakonda

The Cholas of Renandu

The Kalinga Kings

The Eastern Chalukya

The Western Chalukyas

The Western Gangas

The Rashtrakutas

The Vaidumbas

The Pallavas

The Later Pallavas

The Cholas

The Pandyas

The Hoysalas

The Gandagopalas

The Yadavas

The Kakatiyas

The Reddi Chiefs

The Vijayanagar Kings

The Madura Nayakas

Miscellaneous

Other South-Indian Inscriptions 

Volume 1

Volume 2

Volume 3

Vol. 4 - 8

Volume 9

Volume 10

Volume 11

Volume 12

Volume 13

Volume 14

Volume 15

Volume 16

Volume 17

Volume 18

Volume 19

Volume 20

Volume 22
Part 1

Volume 22
Part 2

Volume 23

Volume 24

Volume 26

Volume 27

Tiruvarur

Darasuram

Konerirajapuram

Tanjavur

Annual Reports 1935-1944

Annual Reports 1945- 1947

Corpus Inscriptionum Indicarum Volume 2, Part 2

Corpus Inscriptionum Indicarum Volume 7, Part 3

Kalachuri-Chedi Era Part 1

Kalachuri-Chedi Era Part 2

Epigraphica Indica

Epigraphia Indica Volume 3

Epigraphia
Indica Volume 4

Epigraphia Indica Volume 6

Epigraphia Indica Volume 7

Epigraphia Indica Volume 8

Epigraphia Indica Volume 27

Epigraphia Indica Volume 29

Epigraphia Indica Volume 30

Epigraphia Indica Volume 31

Epigraphia Indica Volume 32

Paramaras Volume 7, Part 2

Śilāhāras Volume 6, Part 2

Vākāṭakas Volume 5

Early Gupta Inscriptions

Archaeological Links

Archaeological-Survey of India

Pudukkottai

APPENDIX D

List of Photographs taken during the year 1937-38.

No.

District
and Locality.

Description.

Size

1546

Tanjore─
Tanjore.

Bṛihadīśvara temple─West inner wall of the pradakshiṇā round the central shrine─top portion─Painting of a group of two seated figures and a dancing figure behind, with two attendants.

Full.

1547

Do.      .

            Do.      do.       do.
Painting of two dancing women with some attendants.

Do.

1548

Do.      .

            Do.      do.       do.
Painting of Śiva in seated pose with Nandi in front.

Do.

1549

Do.      .

            Do.      do.       do.
Painting of a group of Gaṇas with Nandi.

Do.

1550

Do.      .

            Do.      do.       ─Middle portion─
Painting of a shrine with Naṭarāja inside and a
devotee in front (before cleaning).

Do.

1551

Do.      .

            Do.      do.       do.       do.       (after cleaning)

Do.

1552

Do.      .

            Do.      do.       do.
Painting of four seated figures (Gaṇas).

Do.

1553

Do.      .

            Do.      do.       do.
Painting of four seated figures (Gaṇas), showing also portion of an elephant with rider.

Do.

1554

Do.      .

            Do.      do.       do.
Painting of a man on a white elephant. (Saint- Sundaramūrtti ?)

Do.

1555

Do.      .

            Do.      do.       do.
Painting of a man on horse back (King Chēramān-Perumāḷ ?) proceeding before the elephant.

Do.

1556

Do.      .

            Do.      do.       do.
Painting of three dancing women with three musicians playing on drums and cymbals (moving above clouds).

Do.

1557

Do.      .

            Do.      do.       ─lower portion─ Painting of some ṛishis (seated).

Do.

1558

Do.      .

            Do.      do.       do.
Painting of a group of women probably preparing food.

Do.

1559

Do.      .

            Do.      do.       do.
Painting of a man holding an umbrella, with attendants behind, preaching to a group of men.

Do.

1560

Do.      .

            Do.      do.       do.
Painting of a group of four men standing in front of a shrine with palm-leaf books in their hands.

Do.

1561

Do.      .

            Do.      do.       do.
Painting of portion of a shrine.

Do.

1562

Do.      .

            Do.      do.       do.
Painting of a vimāna with festooned eaves.

Do.

1563

Do.      .

            Do.      do.       do.
Painting of a (royal) devotee attended by his three wives (?) (Section I).

Do.

1564

Do.      .

            Do.      do.       do.       do.       (Section II).

Do.

1565

Do.      .

            Do.      do.       do.       do.
Painting of four female devotees with another group in a lower row.

Do.


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