The Indian Analyst
 

Annual Reports

 

 

Contents

Index

Introduction

Contents

PART I.

Tours of the Superintendent 1937-1938

Appendix A

Appendix B

Appendix C

Appendix D

Appendix E

Appendix F

Images

PART II.

Cavern with Brahni inscription at Malakonda

The Cholas of Renandu

The Kalinga Kings

The Eastern Chalukya

The Western Chalukyas

The Western Gangas

The Rashtrakutas

The Vaidumbas

The Pallavas

The Later Pallavas

The Cholas

The Pandyas

The Hoysalas

The Gandagopalas

The Yadavas

The Kakatiyas

The Reddi Chiefs

The Vijayanagar Kings

The Madura Nayakas

Miscellaneous

Other South-Indian Inscriptions 

Volume 1

Volume 2

Volume 3

Vol. 4 - 8

Volume 9

Volume 10

Volume 11

Volume 12

Volume 13

Volume 14

Volume 15

Volume 16

Volume 17

Volume 18

Volume 19

Volume 20

Volume 22
Part 1

Volume 22
Part 2

Volume 23

Volume 24

Volume 26

Volume 27

Tiruvarur

Darasuram

Konerirajapuram

Tanjavur

Annual Reports 1935-1944

Annual Reports 1945- 1947

Corpus Inscriptionum Indicarum Volume 2, Part 2

Corpus Inscriptionum Indicarum Volume 7, Part 3

Kalachuri-Chedi Era Part 1

Kalachuri-Chedi Era Part 2

Epigraphica Indica

Epigraphia Indica Volume 3

Epigraphia
Indica Volume 4

Epigraphia Indica Volume 6

Epigraphia Indica Volume 7

Epigraphia Indica Volume 8

Epigraphia Indica Volume 27

Epigraphia Indica Volume 29

Epigraphia Indica Volume 30

Epigraphia Indica Volume 31

Epigraphia Indica Volume 32

Paramaras Volume 7, Part 2

Śilāhāras Volume 6, Part 2

Vākāṭakas Volume 5

Early Gupta Inscriptions

Archaeological Links

Archaeological-Survey of India

Pudukkottai

APPENDIX D

List of Photographs taken during the year 1937-38—contd.

No.

District
and
Locality.

Description.

Size.

1566

Tanjore—
Tanjore—
contd.

Bṛihadīśvara temple—West inner wall of the pradakshiṇā round the central shrine—lower portion— Painting of a figure (multilated) holding some object.

Full.

1567

Do.          .

            Do. do. —North portion—Painting
of a scene representing Tripurāntaka destroying the Asuras.(Section 1.)

Do.

1568

Do.          .

            Do.              do.                 do.                do.         (Section 2)

Do.

1569

Do.          .

            Do.              do.                 do.                do.      (Section 3)

Do.

1570

Do.          .

            Do.              do.                 do.                do.      (Section 4)

Do.

1571

Do.          .

            Do.              do.                 do.                do.      (Section 5)

Do.

1572

Do.          .

            Do.              do.                 do.                do.      (Section 6)

Do.

1573

Do.          .

            Do.              do.                 do.                do.      (Section 7)

Do.

1574

Do.          .

            Do.              do.                 do.                do.      (Section 8)

Do.

1575

Do.          .

            Do.              do.                 do.                do.      (Section 9)

Do.

1576

Do.          .

            Do.              do.                 do.                do.      (Section 10)

Do.

1577

Do.          .

            Do.              do.                 do.                Do Portion of painting showing details of ornament of Brahmā (represented in No. 1572).

Do.

1578

Do.          .

            Do.  do. do.             
Painting of Durgā fighting on lion’s back and
Subrahmaṇya on peacock in lower row (represented in sections in No. 1568-69).

Do.

1579

Do.          .

            Do.      —West outer wall (inside)
of  the pradakshiṇā—Painting of a seated male figure with a group of attendant women in a lower row.

Do.

1580

Do.          .

         Do.  do.
Painting (mutilated) of two seated figures, male and female, with another seated figure above.

Do.

1581

Do.          .

         Do. do. Painting of a group of fifteen women seated in a row, with 2 mutilated figures in another row.

Do.

1582

Do.          .

              Do. —North outer wall (inside)
of the pradakshiṇā—Painting of five crowned heads in a row.

Do.

1583

Do.          .

         Do. do. Painting of the seated figure of a man (with head lost).

Do.

1584

Do.     &nbsnbsp;    .

         Do.   do.                do. —Back view

Do.


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