The Indian Analyst
 

South Indian Inscriptions

 

 

Contents

Introduction

Preface

Contents

List of Plates

Abbreviations

Additions And Corrections

Images

Miscellaneous

Inscriptions And Translations

Kalachuri Chedi Era

Abhiras

Traikutakas

Early Kalachuris of Mahishmati

Early Gurjaras

Kalachuri of Tripuri

Kalachuri of Sarayupara

Kalachuri of South Kosala

Sendrakas of Gujarat

Early Chalukyas of Gujarat

Dynasty of Harischandra

Administration

Religion

Society

Economic Condition

Literature

Coins

Genealogical Tables

Texts And Translations

Incriptions of The Abhiras

Inscriptions of The Maharajas of Valkha

Incriptions of The Mahishmati

Inscriptions of The Traikutakas

Incriptions of The Sangamasimha

Incriptions of The Early Kalcahuris

Incriptions of The Early Gurjaras

Incriptions of The Sendrakas

Incriptions of The Early Chalukyas of Gujarat

Incriptions of The Dynasty of The Harischandra

Incriptions of The Kalachuris of Tripuri

Other South-Indian Inscriptions 

Volume 1

Volume 2

Volume 3

Vol. 4 - 8

Volume 9

Volume 10

Volume 11

Volume 12

Volume 13

Volume 14

Volume 15

Volume 16

Volume 17

Volume 18

Volume 19

Volume 20

Volume 22
Part 1

Volume 22
Part 2

Volume 23

Volume 24

Volume 26

Volume 27

Tiruvarur

Darasuram

Konerirajapuram

Tanjavur

Annual Reports 1935-1944

Annual Reports 1945- 1947

Corpus Inscriptionum Indicarum Volume 2, Part 2

Corpus Inscriptionum Indicarum Volume 7, Part 3

Kalachuri-Chedi Era Part 1

Kalachuri-Chedi Era Part 2

Epigraphica Indica

Epigraphia Indica Volume 3

Epigraphia
Indica Volume 4

Epigraphia Indica Volume 6

Epigraphia Indica Volume 7

Epigraphia Indica Volume 8

Epigraphia Indica Volume 27

Epigraphia Indica Volume 29

Epigraphia Indica Volume 30

Epigraphia Indica Volume 31

Epigraphia Indica Volume 32

Paramaras Volume 7, Part 2

Śilāhāras Volume 6, Part 2

Vākāṭakas Volume 5

Early Gupta Inscriptions

Archaeological Links

Archaeological-Survey of India

Pudukkottai

INCRIPTIONS OF THE KALACHURIS OF TRIPURI

(V. 6) . . . . . was born—(he) whose good qualities were marked by the goddess of fortune, (and) whose name alone was noteworthy on the surface of the earth. From him (was born) Vijjalarāņaka, the raging wild fire to the forests which were his enemies.

(V. 7) His younger brother Vigraharāja, a warrior, who earned praise by his excellences, was (born) on the earth; the wives of the enemies killed by whom, having remembered. . . . .

(V. 8) In battle he became the resting place of the goddess of heroism,─(he) who made his name Vappullaka, given to him by his father equal (in fame) to (those of) the heroes of old. . . . .

(V. 9) Having mounted the two mighty . . . .and exhibiting deeds worthy of a god. . . . . . . . . .[fought the battle known] as the Battle of Horses. . . . . .

(V. 10) He, sword in hand, having defeated at the foot of the Yellow Mountain, the army of Trilōchana equalled the glory of Arjuna1 (who overpowered the might of the three- eyed god Śiva). . . . . . . . . .

(V. 11) Gracing the earth like the moon, he, being stainless with his excellences, as the moon is with her rays, caused a temple of Śankara to be constructed in the village called Kādambari.

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(V. 12 ) [Where] (this) linga was installed by sages according to the rite laid down (in the sacred texts); since the day of whose installation the goddess of fortune has day after day attended the sons and grandsons . . . . . . . . . .

(V. 13) [In the temple] . . . . . . . was installed (the image?) named Śrīvatsa, being surrounded by four small shrines; in them (were installed ) the (following) deities in order– on the north-eastern (side) . . . . . . . .(and) Lakshmī together with Nārāyaņa.

(V. 14) In front of it (i,e., the temple) [he planted] a garden containing hundreds of mango trees and various (other) kinds of trees . . . . . . [with a well full of] water.

(V. 15) May Śiva who is known as the holy Vappulēśvara receive (here) abundant worship to the end of the world and be gracious to [Vappulla] together with (the inmates of) his inner appartment, his sons and servants.

(V. 16) . . . . . together with . . . . .

(V. 17) By the religious merit [which I may have acquired] by what gold of mine has been spent on this work which is dedicated to Śiva. . . . . . . . . .

(V. 18) [He built] a five-shrined temple of Śiva. In it the son of Hŗishīkēśa named Vijhūka has, with devotion, composed this praśasti.

(V. 19) . . . . . of the Brahmanas . . . . .

(V. 20) His distinguished wife is known by the name of Nayanāvalī. She caused a beautiful image of Mahēśvara together with Umā to be made.

(Line 20) (This) Praśasti [was caused to be written] . . . . . . . . on Thursday, the 10th (lunar day) of the bright (fortnight) of Māgha in the year 812 in the ninth year of administration rendered glorious by the illustrations Karņa who meditates on the feet of [the Paramabhaţţāraka, Mahārājādhirāja, Paramēśvara, the illustrious] Vāmadēva. May it last to the end of the world! May there be bliss and great prosperity! Ōm! Obeisance to the divine Vāsudēva! Ōm! Obeisance to Gaņapati. Ōm! Obeisance!,
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1There is a play on the word Trilōchana meaning (1) a king of that name and (2) the god Śiva. For Arjuna’s fight with Śiva see the Mahābhārata, Vanaparvan, adhyāya 167, vv. 9 ff.

 

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