The
date of this inscription is the same as that of the preceding No.40. The
inscription describes gifts that were made to four of the images, the
setting-up of which is recorded in the inscription No. 38, by the temple
manager who had set them up. The four recipients of the gifts were the
images of Nambi-Aruranar (alias Sundaramurti),
Tirunanasambandadigal, Tirunavukkaraiyadevar and Periya-Perumal. The
gifts consisted of two lamps and one stand for sacred ashes.
Translation
1.
Hail ! Prosperity! Adittan Suryan, alias Tennavan Muvenda-velan,
a headman (of) Poygai-nadu, who carried on the management of the
temple of the lord Sri-Rajarajesvara, gave until the third year (of
the reign) of the lord Sri Rajendra-Soradeva to (the images of)
Nambi-Aruranar, Tirunanasambandadigal and Tirunavukkaraiyadevar, which
he had set up himself, one fixed lamp (nilai-vilakku) of zinc (tara),
which, together with an iron pin (narasam), weighed forty-one palam
and a half.
2.
The same person gave to (the image of) Periya-Perumal, which he
had set up himself, one fixed lamp of zinc, which, together with an iron
pin, weighed one hundred and twenty palam.
3.
(He further gave) one stand for sacred ashes of bell-metal (venkala
madal), weighing four palam.
No.
42. On a niche and a pillar of the
west enclosure
This
inscription is engraved on the same niche as the preceding No. 41 ; the
last few line are on an adjacent pillar. The inscription records that,
before the 29th year of the reign of Rajarajadeva, his queen
Cholamahadevi set up copper images of Siva, called Adavallar, and of his
consort and presented a few ornaments to these two images.
>
Translation
1.
Hail ! Prosperity ! The following copper images, â which had been set
up in the temple of the lord Sri-Rajarajesvara until the twenty-ninth
year (of the kingâs reign) by Soramahadeviyar, the consort of
our lord Sri-Rajarajadeva, â were engraved on stone, after they had
been measured by the cubit measure (preserved) in the temple of
the lord, after the jewels (given to them) had been weighed
without the threads, the frames and the copper nails by the stone called
(after) Dakshina-Meru-Vitankan, and after the gold had been
weighed by the stone called (after) Adavallan : -
2.
One solid image of Adavallar, having four divine arms, (the goddess)
Ganga-bhattaraki on the braided hair, nine braids of hair (jata)
and seven flower-garlands (pumalai), and (measuring),
together with (an image of) Musalagan who was lying on the
ground, three quarters and one eighth of a muram in a height from
the feet to the hair.
3.
One lotus on which this (image) stood, set with jewels and
measuring three viral in height.
4.
One pedestal, measuring five viral in height, half a muram in
length, and ten viral in breadth.
5.
One solid aurcola (measuring), three muram and two viral
in circumference.
6.
One solid image of his consort Umaparamesvari, measuring seventeen viral
and two torai in height from the feet to the hair.
7.
One lotus on which this (image) stood, set with jewels and
measuring two viral and two torai in height.
8.
One pedestal on which this (image) stood, measuring three viral
and six torai in height, eight viral and six torai
and length, and seven viral and a half in breadth.
9.
One solid aureola, measuring two muram, fourteen viral and
a half in circumference.
10.
To (the image of) Adavallr the same (queen) gave one
string of round beads (tiral-mani-vadam), (containing) six
karanju and a half and (one) manjadi of gold.
11.
To (the image of) his consort Umaparamesvari the same (queen)
gave : -
12.
One spiral (tiru), (consisting) of a ruby which was strung
on a gold string, weighing, with the lac, (one) karanju
and a half, two manjadi and (one) kunri, and worth
four kasu. Into (it) were set three flat and round
diamonds; (on it) were fastened one smooth ruby and one emerald (pachchai)
; and (on it) were strung one smooth ruby with [large] cavities,
cuts and holes,[1]
two talimbam, one eye and one hook.
13.
One ornament of three strings (trisaram), weighing, with the lac,
three karanju and three quarters, four manjadi and seven tenths,
and worth eight kasu. On (it) were strung eighty-seven
pearls, â (viz.) round pearls, roundish pearls, polished
pearls, small pearls, (Pearls) of brilliant water, of red water,
and resembling toddy in colour, â six corals, two gold pins (nembu),
two talimbam (each of) which consisted of three (pieces)
soldered together, and two eyes.
14.
One string of beads for the marriage-badge (tali-mani-vadam), (containing
one) karanju and three quarters, two manjadi and (one)
kunri of gold.
No.
43. On the base of the west
enclosure
The
date of this inscription and the name of the donor are only partially
preserved, but were doubtlessly the same as in the inscriptions Nos.40
and 41. It records the setting-up of copper images of two gods, â
Kshetrapaladeva (paragraph 2) and Bhairava (7), â and of three human
beings, who were arranged in a group (24). These were sirutto+nda-Nambi
(12), (his wife) Tiruvenkattu-Nangai (16) and (their son) Siraladevar
(19), who, according to the Periyapuranam,[2]
was killed by his parents and served up as a meal to Siva in his form of
Bhairava. Thus the inscription is an additional proof of the antiquity
of the legends, which are embodied in the Periyapuranam, and some of
which are referred to in other inscriptions of Rajaraja (No. 38) and
Rajendra-Chola (Nos. 40 and 41). Siruttondan is already mentioned in the
Devaram of Tirunanasambandar.[3]
Translation
>
1.
(The following) divine and human images[4]
of copper, â which had been set up until the third year (of the
kingâs reign) by............ Muvenda-Velan, â were engraved on
stone, after they had been measured by the cubit measure (preserved)
in the temple of the lord, after the gold (given to them) had
been weighed by the stone called (after) Adavallan, and after the
jewels had been weighed without the threads by the stone called (after)
Dakshina-Meru-Vitankan : -
2.
One solid (image of) Kshetrapaladeva, having eight divine arms (and
measuring) three quarters and done eighth of a muram in
height from the feet to the hair.
3.
One pedestal on which this (image) stood, joined to a lotus (and
measuring) nine viral in height and nine viral square.
4.
To this (image) he gave : â One string of round beads (tiral-mani-vadam),
(containing) a quarter (of a karanju) of gold.
5.
One front-plate (vira-patta), laid (round the head of the
image and consisting of) seven manjadi of gold.
6.
Two plates (tagadu), (used as) sacred ear-rings (tirukkudambai),
(and consisting of) three manjadi of gold.
7.
One solid (image of Siva in his) form (murti) of Sri-Bhairava,
represented as dancing, having two divine arms (and measuring)
eighteen viral in height from the feet to the hair.
8.
One pedestal on which this (image) stood, joined to a lotus (and
measuring) nine viral in height and eight viral in
breadth.
9.
To this (image) he gave : â One string of round beads, (containing)
four manjadi of gold.
10.
One string (vadam), weighing half a karanju, four manjadi
and (one) kunri, and (worth) a quarter kasu.
On (it) were strung thirty-three pearls, viz., crude
pearls, twin pearls and sappatti.
11.
One string, weighing eight manjadi, and (worth) a quarter kasu.
On (it) were strung thirty-seven pearls, viz., crude
pearls, twin pearls and sappatti.
12.
One solid (image of) Siruttonda-Nambi, having two arms (and
measuring) seventeen viral in height from the feet to the
hair.
13.
To this (image) he have : -
14.
One string of round beads, (containing) three manjadi and
(one) kunri of gold.
15.
A collar (karai) of rudraksha (beads), (containing), â
exclusive of the rudraksha (beads), â half a karanju and
(one) manjadi of gold.
16.
One solid (image of) Tiruvenkattu-Nangai, (measuring)
fifteen viral in height from the feet to the hair.
17.
To this (image) ha gave : -
18.
A neck-ring (pattaikkarani), (consisting of) nine manjadi
and (one) kunri of gold, â including the marriage-badge
(tali) which was strung on (it).
19.
One solid (image of) Siraladevar, having two arms (and
measuring) twelve viral in height from the feet to the hair.
20.
To this (image) he gave : -
21.
One front-plate, laid (round the head of the image and consisting of)
four manjadi of gold.
22.
Two plates, (used as) sacred ear-rings, (and consisting of one)
manjadi and (one) kunri of gold.
23.
A neck-ring and a spear (sula), (consisting of) half a karanju,
four manjadi and (one) kunri of gold.
24.
One pedestal on which the three images stood, joined to a lotus (and
measuring) twenty-three viral in length, seven viral
in breadth, and eight viral in height together with the lotus.
>
No.44.
On a pillar of the west enclosure.
This
inscription records that, before the 29th year of the reign
of Rajarajadeva, his queen Abhimanavalli set up a copper image, the name
of which is only partially preserved. It seems however that it was a lingu
(paragraph 2) and that image of Siva (3), Brahman (4), and Vishnu in his
boar-incarnation (5) attended it.
The
whole group probably referred to the following legend, which is narrated
in the Arunachala-Mahatmya, a mythical account of the Saiva temple at
Tiruvannamalai in the South Arcot district : â Siva appeared as a
fiery linga to Brahman and Vishnu, and desired them to seek his base
and summit, which they attempted in vain.â[5]
On this occasion, Vishnu is said to have assumed the shape of a boar,[6]
as stated in the subjoined inscription.
Translation
1.
Hail ! Prosperity! (The following) copper image, â which had
been set up in the temple of the lord Sri-Rajarajesvara until the
twenty-ninth year (of the kingâs reign) by Abhimanavalliyar, a
queen (devi) of the lord Sri-Rajarajadeva, â was engraved on
stone, after it had been measured by the cubit measure (preserved)
in the temple of the lord, and after the jewels (given to it) had
been weighed without the threads by the stone called (after)
Dakshina-Meru-Vitankan : -
2.
One [image of Lingapura]na[deva], (measuring) twenty-one viral
and six torai in height from the pedestal to the top, and one muruam,
[eleven] viral and [two] torai in circumference.
3.
One solid image (of Siva ?), represented as appearing with this (image),
having four divine arms (and measuring) twelve viral and
four torai in height from the shank to the hair.
4.
One solid (image of) Brahman, joined to the linga, having
four divine arms (and measuring) seven viral in height.
5.
One solid (image of) Vishnu with the head of a boar (varaha-mukha),
joined to the linga, having four divine arms (and measuring)
seven viral in height.
6.
One pedestal (surmounted by) a lotus, (measuring) two muram,
fourteen viral and four torai in circumference, and six viral
and four torai in height.
7.
One cowâs head,[7]
joined to this (pedestaland measuring) three viral
and four torai in length, one viral and four torai
in breadth, and one viral in height.
8.
To this (image) were given : -
9.
One necklace (tarvadam), weighing (one) karanju and
a half, two manjadi and (one) kunri, and worth a
quarter kasu. On (it) were strung four hundred and thirty
pearls in clusters (punjai-muttu).
10.
One necklace, weighing three karanju and a half, and worth half a
kasu. On (it) were strung eight hundred and eighty-seven
pearls in clusters.
No.
45. On a niche of the west
enclosure.
This
inscription is another copy of Nos. 31 and 33.
No.
46. On two niches and two pillars
of the west enclosure.
This
inscription commences on the same niche as the preceding No. 45, is
continued on the four faces of each of two pillars, and ends on another
niche. It records that, before the 29th year of the reign of Rajarajadeva, his
queen Cholamahadevi set up copper images of Rishabhavahanadeva, i.e.,
Siva whose vehicle is the bull, of his consort Uma-paramesvari, and of
their son Ganapati, and that she presented various ornaments to each of
these three images.
Translation
1.
Hail ! Prosperity! The following copper images, â which had been set
up in the temple of the lord Sri-Rajarajesvara until the twenty-ninth
year (of the kingâs reign) by Soramahadeviyar, the consort of
our lord Sri-Rajarajadeva, â were engraved on stone, after they had
been measured by the cubit measure (preserved) in the temple of
the lord, after the jewels (given to them) had been weighed
without the threads, the frames and the copper nails by the stone called
(after) Dakshina-Meru-Vitankan, and after the gold and silver had
been weighed by the stone called (after) Adavallan : -
>
2.
One solid image of Rishabhavahanadeva, having four divine arms and (measuring)
one muram, ten viral and two toraiin height from
the feet to the hair.
3.
One lotus on which this (image) stood, set with jewels and
measuring three viral and a half in height.
4.
One solid image of his consort Umaparamesvari, measuring one muram
and five viral in height from the feet to the hair.
5.
One lotus on which this (image) stood, set with jewels and
measuring two viral and a half in height.
6.
One bull (rishabha), (partially) solid (and partially) hollow, land
measuring one muram, six viral and five torai in
height from the hoofs to the horns.
7.
One pedestal on which the god, his consort and the bull stood,
(measuring) two muram, one viral and two torai in length,
one and a quarter muram in breadth, and ten viral and one torai
in height, and having on its two sides, (nerri) two lions (simha),
which jutted out five viral and six torai (and measured)
four viral and a half in breadth, and eight viral and a
half in height.
8.
One solid aureola, covering the god, his consort and the bull,
consisting of two pillars and one half-moon,[8]
and measuring six muram, nine viral and a half in
circumference.
9.
One solid image of Ganapati, measuring half a muram and five torai
in height from the feet to the hair.
10.
One lotus on which (this image) stood, set with jewels and
measuring two viral and a half in height.
11.
One pedestal, measuring nine viral in length, eight viral in
breadth, and four viral, and two torai in height.
12.
One solid aureola, measuring one (muram) and three quarters and
five viral in circumference.
13.
To (the image of) Rishabhavahanadeva were given : -
14.
One small sacred garland (tiru-malai), weighing, with the lac,
six karanju and a half, four manjadi and (one) kunri,
and worth eleven kasu. On (it) were fastened fifty-six
crystals, twenty-four potti and thirty-six pearls, viz., polished
pearls and small pearls.
15.
One tutturu, weighing, with the lac, (one) karanju
and a half, three manjadi and eight tenths, and worth three kasu.
On (it) were fastened one crystal and twenty-two pearls, viz.,
round pearls, roundish pearls, polished pearls and small pearls.
16.
One string (vadam), weighing, with the lac, three karanju
and three quarters, three manjadi and three tenths, and worth
sixteen kasu. On (it) were strung thirty-three pearls, â viz.,
round pearls, roundish pearls, polished pearls, small pearls, nimbolam,
(pearls) with rubbed surface, (pearls) resembling toddy in
colour, and ambumudu, â two corals, two lapis lazuli, two talimbam,
one eye and one hook.
17.
One string, weighing, with the lac, three karanju and three
quarters, (one) manjadi and eight tenths, and worth fifteen kasu.
On (it) were strung thirty-five pearls, â viz., round pearls,
polished pearls, polished pearls, small pearls, nimbolam, payittam,
(pearls) with rubbed surface, with cracked surface and of red
water, â two corals, two lapis lazuli, two talimbam, one eye
and one hook.
18.
One string, weighing, with the lac, three karanju and three
quarters, three manjadi and one tenth, and worth fifteen kasu.
On (it) were strung thirty-one pearls, â viz., round
pearls, roundish pearls, polished pearls, small pearls, nimbolam,
payittam, (pearls) with cracked surface and with rubbed
surface, â two corals, two lapis lazuli, two talimbam, one eye
and one hook.
19.
One girdle,[9]
weighing, with the lac, four karanju and three quarters, three manjadi
and (one) kunri, and worth eleven kasu. On (it)
wee strung ninety-nine pearls, â viz., round pearls, roundish
pearls, polished pearls and small pearls, â six corals, two gold pins,
two talimbam (each of) which consisted of three (pieces)
soldered together, and two eyes.
20.
One ornament of five strings (panchasari), weighing, with the lac,
eight karanju and a half, three manjadi and six tenths,
and worth eight kasu. On (it) were strung two hundred and
forty-three pearls, â viz., round pearls, roundish pearls,
polished pearls, small pearls, crude pearls, sakkattu,sappatti,
(pearls) with rubbed surface and with cracked surface, â ten
corals, two gold pins, two talimbam (each of) which
consisted of five (pieces) soldered together, and one eye.
21.
One sacred pearl ornament (sri-chhanda), weighing, â with the
lac (which was used) instead of the gold at the back of the chief
jewel (nayaka), â twenty-six karanju and (one) manjadi,
and worth thirty kasu. On (it) were fastened twenty-one
crystals, eight potti and thirteen gold pins ; and (on it)
were strung eight hundred and sixty-nine pearls, (viz.,) round
pearls, roundish pearls, polished pearls, small pearls, nimbolam,
payittam, crude pearls sappatti, sakkattu, (pearls) of
brilliant water and of red water, and ambumudu.
>
22.
One bracelet (valaiyil) of ball (gundu) soldered on a band
(pattai) of gold, weighing eleven karanju and three
quarters, (one) mannadi and (one) kunri, and
worth thirteen, one quarter and one eighth kasu. On (it)
were strung three hundred and seventy-eight pearls, (viz.,) round
pearls, roundish pearls, polished pearls, small pearls, sappatti,
sakkattu, (pearls) of brilliant water and of red water.
23.
One bracelet of balls soldered on a band of gold, weighing ten karanju
and a half, three manjadi and (one) kunri, and
worth thirteen kasu. On (it) were strung three hundred and
seventy-six pearls, (viz.,) round pearls, roundish pearls,
polished pearls, small pearls, sappatti, sakkattu, (pearls) of
brilliant water and of red water.
24.
One bracelet of balls soldered on a band of gold, weighing nine karanju,
nine manjadi and (one) kunri, and worth six kasu.
On (it) were strung two hundred and seventy-one pearls, viz.,
polished pearls, small pearls, crude pearls, sappatti and
sakkattu.
25.
One bracelet of balls soldered on a band of gold, weighing seven karanju
and a half and (one) manjadi, and worth seven kasu.
On (it) were strung one hundred and forty-two pearls, viz.,
round pearls, roundish pearls, polished pearls, small pearls, crude
pearls, sappatti and sakkattu.
26.
One waist-band (udara-bandhana), weighing eight karanju,
seven manjadi and (one) kunri, and worth eight kasu.
On (it) were fastened eight crystals and three potti ; and
(on it) were strung three hundred and six pearls, (viz.,)
round pearls, roundish pearls, polished pearls, small pearls, crude
pearls, sappatti, sakkattu, (pearls) of brilliant water
and of red water.
27.
One sacred girdle (tiruppattigai), weighing, with the lac, forty karanju,
and worth twenty-six kasu. In (it) were included one kimbirimugam,[10]ten small flowers (mattappu), one bud (mottu) and four
[vi]dangu ;[11] (on it) were
fastened twenty crystals and twelve potti ; and (on it)
were strung seven hundred and thirty-four pearls, viz., crude pearls sakkattu
and sappatti.
28.
One sacred foot-ring (tiruvadikkarai) of balls soldered on a band
of gold, weighing twelve karanju and a half and (one) kunri,
and worth fifteen and a quarter kasu. On (it) were strung
three hundred and seventy-five pearls, (viz.,) round pearls,
roundish pearls, polished pearls, small pearls, sappatti, sakkattu,
(pearls) of brilliant water and of red water.
29.
One sacred foot-ring of balls soldered on a band of gold, weighing
twelve karanju and (one) kunri, and worth sixteen kasu.
On (it) were strung three hundred and seventy-two pearls, (viz.,)
round pearls, roundish pearls, polished pearls, small pearls, sakkattu,
sappatti, (pearls) of brilliant water and of red water.
30.
One string of round beads (tiral-mani-vadam), (containing)
seven karanju and a quarter of gold.
31.
One string of round beads, (containing) seven karanju, four
manjadi and (one) kunri of gold.
32.
One sacred arm-ring (tirukkaikkarai), (consisting of) nine
karanju of gold.
33.
One sacred arm-ring, (consisting of) eight karanju and
three quarters of gold.
34.
One sacred arm-ring, (consisting of) eight karanju and a
half, three manjadi and (one) kunri of gold.
35.
One sacred arm-ring, (consisting of) six karanju and three
manjadi of gold.
36.
One sacred girdle, (consisting of) thirty kakanju of gold.
37.
One sacred foot-ring, (consisting of) ten karanju and a
quarter of gold.
38.
One sacred foot-ring, (consisting of) nine karanju and
three quarters, two manjadi and (one) kunri of
gold.
39.
One pair of sacred sandals (tiruvadi-nilai), (consisting of)
forty-nine karanju and three quarters of gold.
40.
One skull (kapala), (consisting of) fifty karanju,
seven manjadi and (one) kunri of gold.
41.
One handle (kai) for a white chandra (ven-samarai),
(consisting of) twelve karanju of gold.
42.
One handle for a white chamara, (consisting of) nine karanju
and three quarters, three manjadi and six tenths of gold.
43.
One small scimitar (kurr-udaival), the hilt (? Asu) and
blade (? Kandam) of which were inlaid with gold.
44.
One paradal, (consisting of) one hundred and five karanju
of silver.
>
45.
One bowl (mandai), (consisting of) one hundred and
eighty-five karanju of silver.
46.
One girdle (in the shape of) a snake (kachch-olam), (consisting
of) twenty-nine karanju and a quarter of silver.
47.
To (the image of) Umaparamesvari, the consort of
Rishabhavahanadeva, the same (queen) gave : -
48.
One spiral (tiru), (consisting) of a ruby which was strung
on a gold string, weighing, with the lac, two karanju, two manjadi,
and (one) kunri, and worth eight kasu. Into (it)
were set three flat and round diamonds,.............. one
ruby.......... with cavities and holes, lone eye and one hook.
49.
One bracelet of halls soldered on a band of gold, weighing seven
karanju and a half and (one) manjadi, and worth seven kasu.
On (it) were strung one hundred and thirty-six pearls, viz.,
polished pearls, small pearls, crude pearls, sappatti and sakkattu.
50.
One bracelet of balls soldered on a band of gold, weighing ten karanju
and nine manjadi, and worth twelve kasu. On (it)
were strung three hundred and seventy-six pearls, (viz.,) round
pearls, roundish pearls, polished pearls, small pearls, sappatti,
sakkattu, (pearls) of brilliant water and of red water.
51.
One sacred girdle, weighing, with the lac, twenty-[four] karanju
and a half, three manjadi and (one) kunri, and
worth fifteen kasu. In (it)were included one kimbirimugam,
ten small flowers and five buds ; (on it) were fastened ten crystals
and five potti ; and (on it) were strung five hundred and
forty-eight pearls, viz., round pearls, roundish pearls, polished
pearls, small pearls, crude pearls, sappatti and sakkattu.
52.
One sacred foot-ring of balls soldered on a band of gold, weighing ten karanju,
two manjadi and (one) kunri, and worth fifteen and
a quarter kasu. On (it) were strung one hundred and
fifty-eight kpearls, viz., crude pearls, sakkattu and sappatti.
54.
One string of beads for the marriageâbadge (tali-mani-vadam),
(containing one) karanju and three quarters, four manjadi
and (one) kunri of gold.
55.
One string of round beads, (containing) four karanju and a
half and two manjadi of gold.
56.
One sacred arm-ring, (consisting of) five karanju and
three quarters, two manjadi and (one) kunri of
gold.
57.
One sacred arm-ring, (consisting of) six karanju of gold.
58.
One sacred girdle, (consisting of) twenty karanju and a
quarter of gold.
59.
One sacred foot-ring, (consisting of) eight karanju and
three quarters of gold.
60.
One sacred foot-ring, (consisting of) six karanju of gold.
61.
To (the image of) Ganapti, which the same (queen) had set
up, were given: -
62.
One sacred gold flower (tirupporpu), (consisting of) three
karanju of gold.
63.
One sacred thread (pun-nul), (consisting of) six karanju,
two manjadi and (one) kunri of gold.
No.
47. On a pillar of the west
enclosure
This
inscription records that, before the 29th year of the reign
of Rajarajadeva, an officer of the king set up a copper image of
Bhringisa, to which he presented some ornaments.
Regarding
Bhringi, I am indebted for the following information to Mr. P. Sundaram
Pillai, M.A., Professor of Philosophy, Trivandrum College : â
âBhringi is one of the attendants (gana) of Siva. Allusions of his
bigoted worship of Siva, which would not condescend even to acknowledge
the godhead of Parvati, are frequent in Tamil literature. According to
the Skandapuranam, it was to l annoy his exclusive spirit, that
Parvati sought union with Siva in the form of Ardhanarisvara. But
Bhringi assumed the shape of a bee[12]
and pierced his way through the united body of the god and the goddess,
going round and worshipping the Siva portion only of the hermaphrodite.
The goddess avenged herself then by with drawing all sakti from
the zealot, and he is now generally represented as a skeleton,
supporting himself with a third leg, which Siva, out of mercy,
improvised for him.â In accordance with this myth, three legs and three arms are
attributed to the mage of Bhringisa in paragraph 2 of the subjoined
inscription.
>
Translation
1.
Hail ! Prosperity! The following copper image, â which had been set up
in the temple of the lord Sri-Rajarajesvara until the twenty ninth year
(of the kingâs reign) by Kovan (i.e.,Gopa)
Annamalai,[13]alias
Keralantaka-Virupparaiyan, a Perundaram of the minor treasure (sirudanam)[14]
of the lord Sri-Rajarajadeva, â was engraved on stone, after it had
been measured by the cubit measure (preserved) in the temple of
the lord, after the jewels (given to it) had been weighed without
the threads by the stone called (after) Dakshina-Meru-Vitankan,
and after the gold had been weighed by the stone called (after)
Adavallan : -
2.One
solid image of Bhringisa (measuring) one muram, two viral
and a half in height from the feet to the hair, and having a bush (sedi)[15]
of the height of one viral, three divine feet[16]
and three divine arms.
3.
One pedestal on which this (image) stood, set with jewels (and
measuring) twenty viral in length, twelve viral in
breadth, and six viral in height.
4.
To this (image) were given: -
5.
One ornament of three strings (trisaram), weighing, with the lac,
five karanju and a quarter, and worth three and a half kasu.
On (it) were strung one hundred and fifty pearls, â viz.,
sakkattu and crude pearls, â (one)talimbam and (one)
eye.
6.
One necklace (kantha-nan), weighing, â inclusive of one rudraksha
(bead), (one) eye and (one) hook, â (one) karanju,
and worth five kasu.
7.
One sacred arm-ring (tirukkaikkarai), (consisting of one) karanju
and two manjadi of gold.
8.
One sacred arm-ring, (consisting of one) karanju and four manjadi
of gold.
9.
One sacred arm-ring,[17]
(consisting of) three quarters (of a karanju), four manjadi
and (one) kunri of gold.
10.
One sacred foot-ring (tiruvadikkarai), (consisting of one)
karanju and four manjadi of gold.
11.
One sacred foot-ring, (consisting of one) karanju (one)
manjadi and (one) kunri of gold.
12.
One sacred foot-ring, (consisting of one) karanju, three manjadi
and (one) kunri of gold.
No.48.
On a niche and a pillar of the
west enclosure
This
inscription records that, before the 29th year of the reign
of Rajarajadeva, his queen Trailokyamahadevi set up copper images of
Siva called Kalyanasundara, of his wife Umaparamesvari, and of the two
gods Vishnu and Brahman, who were represented as worshipping the first image,
and that she presented a number of ornaments to the first two images. An
inscription of the 10th year of the reign of
Rajendra-Choladeva (No.11) refers to these two images of Kalyanasundara
and his wife as having been set up by Trailokyamahadevi, the consort of
Rajarajadeva.
Translation
1.
Hail ! Prosperity ! The following copper images, â which had been set
up in the temple of the lord Sri-Rajaajesvara until the twenty-ninth
year (of the kingâs reign) by Trailokyamahadevi, the consort of
our lord Sri-Rajarajadeva, â were engraved on stone, after they had
been measured by the cubit measure (preserved) in the temple of
the lord, after the jewels (given to them) had been weighed by
the stone called (after) Dakshina-Meru-Vitankan, and after the
gold had been weighed by the stone called (after) Adavallan : -
2.
One solid image of Kalyanasundara, having four divine arms (and
measuring) one muram and three quarters, two viral and
a half in height from the feet to the hair.
3.
One lotus on which this (image) stood, set with jewels (and
measuring) four viral and a half in height.
4.
One solid image of his consort Umaparamesvari, (measuring) one muram,
eleven viral and a half in height from the feet to the hair.
5.
One lotus on which this (image) stood, set with jewels and
measuring four viral and two torai in height.
6.
One pedestal on which the god and his consort stood, (measuring)
two muram and fourteen viral in length, twenty-two
viral in breadth, and nine viral in height.
7.
One solid aureola, covering the god and his consort, (consisting of)
two pillars and one half-moon, and measuring seven muram in
circumference.
8.
One solid (image of) Vishnu, standing, pouring out water to this
(god), having four arms (and measuring) twenty viral
in height from the feet to the hair.
9.
One lotus on which this (image) stood, set with jewels (and
measuring) two viral and a half in height.
10.
One four-legged pedestal, (which measured) three quarters (of
amuram) and three viral in height up to the lotus,
and which consisted of four legs and a bush (sedi) which was one viral
and a half thick.
>
11.
One solid (image of) Brahman, represented as offering an oblation
(huta), having [four] arms and four faces, comfortably seated (and
measuring) half a muram n height from the feet to the hair.
12.
One pedestal, joined to a lotus, set with jewels (and measuring)
eight viral in height, twelve viral and a half in breadth,
and three quarters (of amuram), three viral and a
half in length.
13.
To (the image of) Kalyanasundara were given : -
14.
One s sacred ear-ring (tirukkambi), (consisting of one) karanju
and a half of gold.
15.
One sacred ear-ring, (consisting of one) karanju, nine manjadi
and (one) kunri of gold.
16.
One string of round beads (tiral-mani-vadam), (containing)
five karanju and four manjadi of gold.
17.
One string of round beads, (containing) five karanju and (one)
manjadi o gold.
18.
One string of round beads, (containing) five karanju, two
manjadi and (one) kunri of gold.
19.
One sacred arm-ring (tirukkaikkarai), (consisting of)
twenty karanju and a half and (one) manjadi of
gold.
20.
One sacred arm-ring, (consisting of) twenty karanju and a
half, two manjadi and (one) kunri of gold.
21.
One sacred arm-ring, (consisting of) twenty karanju and
six manjadi of gold.
22.
One sacred arm-ring, (consisting of) nineteen karanju and
three quarters of gold.
23.
Two sacred foot-rings (Tiruvadikkarai), consisting of thirty-five
karanju and a quarter of gold, â each (consisting of)
seventeen karanju and a half, two manjadi and (one)
kunri of gold.
24.
To (the image of) the consort of this (god) were given : -
25.
A spiral (tiru), strung on a neck-ring (pattaikkarai) of
gold, weighing (one) karanju and a quarter and (one) kunri,
and worth three and a half kasu. Into (it) were set three
flat and round diamonds ; and (on it) were fastened one crystal,
one potti and one nail-Ganga-padikal.[18]
26.
One sacred ear-ring, (consisting of one) karanju and a
half and (one) kunri of gold.
27.
One sacred ear-ring, (consisting of one) karanju, nine manjadi
and (one) kunri of gold.
28.
One string of round beads, (containing) four karanju and
six manjadi of gold.
29.
One string of round beads, (containing) four karanju and a
half of gold.
30.
One string of round beads; (containing) four karanju and
nine manjadi of gold.
31.
One sacred arm-ring, (consisting of) eleven karanju and
three quarters and four manjadi of gold.
32.
One sacred arm-ring, (consisting of) eleven karanju and
three quarters, two manjadi and (one) kunri of
gold.
33.
One sacred foot-ring, (consisting of) twelve karanju, two manjadi
and (one)kunri of gold.
34.
One sacred foot-ring, (consisting of) twelve karanju and a
half and (one) manjadi of gold.
[7]
According to the Dictionnaire Tamoul-Francais, komugai
is âan opening in the shape of the head of a cow, which serves as
an outlet for the water of a sacred bath,â in the present instance
for the water which is poured over the linga.
[10]
This term may be connected with kimpuri âa knob or ring.â
[11]
Compare the Sanskrit vitanka, âthe summit, top.â
[12]
The Tamil vandu is synonymous with the Sanskrit bhringa, from
which the above legend evidently derives the name Bhringi or
Bhringin.
[13]
Annamalai, after which the donor is surnamed, âthe mountain which
cannot be approached,â or Tiruvannamalai is a famous Saiva shrine
in the South Arcot district. Its Sanskrit name Arunachala, âthe
red mountain,â appears to owe its origin to the desire for finding
an apparent Sanskrit etymology of the original Tamil name. In
inscriptions of the first and second Vijayanagara dynasties, the
temple is called Sonachala or Sonasaila, âthe red mountain.â
[14]
One Perundaram see page 141, note 1, and on sirudanam
page 123, note 2.
[15]
A reference to paragraph 10 of No. 48 suggests, that the bush did
not form part of the image, as the words of the next seem to imply,
but was placed near the image on the pedestal, which is described in
the following paragraph.
[17]
Three arm-rings and three foot-rings are provided viz., one
ring for each of the three feet and the three arms, which the image
possessed according to paragraph 2.
[18]I.e., âthe pearl (-like) stone (from)
Gangapadi.â This expression perhaps refers to the beryl, which
according to Mr. Walhouse (Indian Antiquary, Vol. V, pp. 237
ff.) is found in no other locality in India besides Padiyur or
Pattiyali in the Dharapuram talluqa of the Coimbatore district. The
country of Gangapadi is one of the items in the list of conquests of
Rajarajadeva.