The Indian Analyst
 

South Indian Inscriptions

 

 

Contents

Introduction

Preface

Contents

List of Plates

Abbreviations

Additions And Corrections

Images

Miscellaneous

Inscriptions And Translations

Kalachuri Chedi Era

Abhiras

Traikutakas

Early Kalachuris of Mahishmati

Early Gurjaras

Kalachuri of Tripuri

Kalachuri of Sarayupara

Kalachuri of South Kosala

Sendrakas of Gujarat

Early Chalukyas of Gujarat

Dynasty of Harischandra

Administration

Religion

Society

Economic Condition

Literature

Coins

Genealogical Tables

Texts And Translations

Incriptions of The Abhiras

Inscriptions of The Maharajas of Valkha

Incriptions of The Mahishmati

Inscriptions of The Traikutakas

Incriptions of The Sangamasimha

Incriptions of The Early Kalcahuris

Incriptions of The Early Gurjaras

Incriptions of The Sendrakas

Incriptions of The Early Chalukyas of Gujarat

Incriptions of The Dynasty of The Harischandra

Incriptions of The Kalachuris of Tripuri

Other South-Indian Inscriptions 

Volume 1

Volume 2

Volume 3

Vol. 4 - 8

Volume 9

Volume 10

Volume 11

Volume 12

Volume 13

Volume 14

Volume 15

Volume 16

Volume 17

Volume 18

Volume 19

Volume 20

Volume 22
Part 1

Volume 22
Part 2

Volume 23

Volume 24

Volume 26

Volume 27

Tiruvarur

Darasuram

Konerirajapuram

Tanjavur

Annual Reports 1935-1944

Annual Reports 1945- 1947

Corpus Inscriptionum Indicarum Volume 2, Part 2

Corpus Inscriptionum Indicarum Volume 7, Part 3

Kalachuri-Chedi Era Part 1

Kalachuri-Chedi Era Part 2

Epigraphica Indica

Epigraphia Indica Volume 3

Epigraphia
Indica Volume 4

Epigraphia Indica Volume 6

Epigraphia Indica Volume 7

Epigraphia Indica Volume 8

Epigraphia Indica Volume 27

Epigraphia Indica Volume 29

Epigraphia Indica Volume 30

Epigraphia Indica Volume 31

Epigraphia Indica Volume 32

Paramaras Volume 7, Part 2

Śilāhāras Volume 6, Part 2

Vākāṭakas Volume 5

Early Gupta Inscriptions

Archaeological Links

Archaeological-Survey of India

Pudukkottai

INCRIPTIONS OF THE KALACHURIS OF TRIPURI

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TRANSLATION

Success ! Adoration !
(Verse 1) May (that) Śankara,─who wears matted hair, who has the crescent moon on his head, who wears a garland of skulls, who is grey with white ashes, who destroys the evil-minded, who has bracelets of serpents,─always cause your welfare!

(Line 4) During the reign of the illustrious Śankaragaņa (I), (there is) the illustrious Chutu Nāgaka in (charge of) the vishaya of Kakandakutu.

(Line 7) He has himself recorded (the gift of) a granary in (the villages of) Karīkatin and Asēkatin. Again, whatever is written here is authoritative. Whatever is written here is authoritative.

No. 37; PLATE XXX A
KARITALAI STONE INSCRIPTION OF LAKSHMANARAJA I: (KALACHURI) YEAR 593

THIS inscription was discovered by R.B. Hiralal in 1928. A short notice of it appeared in the second edition of his Inscriptions in the Central Provinces and Berar, published in 1931. The record was, for the first time, edited, with a lithograph, by me in the Epigraphia Indica, Vol. XXIII, pp. 255 f. It is edited here from excellent estampages kindly supplied by the Superintendent, Archæological Survey, Central Circle, Patna.

Kārītalāi is now a small village, twenty-nine miles north by east from Murwārā, the headquarters of a tahsil of the same name in the Jabalpur District of Madhya Pradesh. The place seems to be of great antiquity, for, an inscription in shell characters9 and another of the Gupta period10 have been discovered there. There are several old temples at Kārītalāi, from one of which, probably dedicated to the boar incarnation of Vishņu, another inscription11 of the time of Lakshmaņarāja II, was brought over to Nagpur and is at present deposited in the Central Museum, Nagpur.

The present inscription is affixed to the temple of Dēvī Madhiā at Kārītalāi. It is fragmentary. Its preserved portion measures 10½” broad and 1’ 10½” high. Originally there were fourteen lines only, of which thirteen were inscribed breadthwise. Each of these now contains on an average fourteen aksharas. The fourteenth line runs
__________________

horizontal stroke at the top and has not a perfectly round back. Nor is it exactly like d, see duranmana–, 1. 3.

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